Psalms 135

Psalms 135 — Commentary and Meaning

The short answer

Psalm 135 opens with a summons: "Praise Yah!" It calls the "servants of Yahweh" who stand in the house of the LORD to lift their voices, because God is good and singing his praise is "pleasant." From there, the psalm unrolls a series of reasons for that praise, moving from creation to history to the emptiness of every rival.

First, God is Lord of the natural world. He does whatever pleases him "in heaven and in earth," raising clouds, sending lightning and rain, bringing wind out of his storehouses. Then the psalm turns to Israel's story: God struck down the firstborn of Egypt, defeated kings like Sihon and Og, and gave the land as a heritage to his people. The point is not just that these things happened, but that the God who did them still remembers his people — "Yahweh will judge his people" and show them compassion.

By contrast, the idols of the nations are "silver and gold," human handiwork with mouths that cannot speak and eyes that cannot see. In one of the psalm's sharpest lines, those who make and trust idols become like them — lifeless. The living God makes his worshipers alive; dead gods deaden theirs.

There is also a reason Psalm 135 sits where it does. Its opening lines echo phrases from the Songs of Ascents (Psalms 120–34), the collection sung by pilgrims traveling up to Jerusalem — "the name of the LORD," the servants who stand in God's house, the goodness and pleasantness of worship. Read in sequence, Psalm 135 sounds like the congregation's answering song once the pilgrims have finally arrived. The journey up the mountain ends not in a destination alone, but in praise. That is where the whole ascent has been heading.

Why does Psalm 135 appear exactly where it does in the Psalter? In this excerpt from her NICOT commentary, Nancy deClaissé-Walford traces the shared words and refrains that link Psalms 111–18 and 135–36, and shows how Psalm 135's opening echoes the Songs of the Ascents it concludes.

“Psalms 111–17 contain these familiar words. And, interestingly, Psalms 118 and 136 repeatedly employ the words for his (the Lord's) hesed is for all time. These two observations lead scholars to suggest that Psalms 111–18 and 135–36 form an inclusio around the great torah Psalm 119 and the Songs of the Ascents (Psalms 120–34). Psalm 135 is, indeed, an apt conclusion to the Songs of the Ascents. Its beginning shares a number of words and phrases with the Songs of the Ascents— the name of the Lord (Pss. 122:4; 124:8); servants of the Lord (Ps. 134:1); and good and pleasant (Ps. 133:1).”

Nancy deClaissé-Walford · Carolyn Ward Professor of Old Testament and Biblical Languages (now Professor Emerita), McAfee School of Theology, The Book of Psalms (NICOT) Wm. B. Eerdmans Publishing Co. All rights reserved. More from deClaissé-Walford in Rebind →

Psalm 135 suggests that praise is not a warm-up act before the real business of faith — it is the destination. Whatever climb you are in the middle of, the psalm invites you to notice where the road is meant to end: gratitude, wonder, worship. It also asks a quiet, probing question about idols. Few of us bow to silver and gold statues, but we all shape our lives around something, and we slowly come to resemble what we trust. Psalm 135 offers the alternative: fix your attention on the living God who acts in creation and history, and let that be what forms you.

Psalm 135 stands in Book Five of the Psalter, immediately after the Songs of Ascents (Psalms 120–34), the short pilgrim songs associated with traveling up to Jerusalem. Its opening deliberately picks up language from those songs — the servants standing in the LORD's house from Psalm 134, the note of what is good and pleasant from Psalm 133. Just after it, Psalm 136 answers with its famous refrain about God's steadfast love enduring forever. Together, Psalms 135–36 form a doorway of praise closing out the pilgrim collection, gathering up its themes into full-throated worship.