Isaiah 60

Isaiah 60 — Commentary and Meaning

The short answer

Isaiah 60 opens with a command that sounds like sunrise: "Arise, shine; for your light has come." The chapter pictures Jerusalem — battered, diminished, recently returned from exile — suddenly lit up while the rest of the world sits in darkness. And because the city glows, everyone else starts walking toward it. Kings, nations, ships, and camel caravans all stream to Zion, carrying treasure.

That treasure is the chapter's first great movement. Verse 6 describes camels arriving from Midian, Ephah, and Sheba loaded with gold and frankincense. This is a deliberate reversal. Israel knew what it was like to be plundered — to watch its wealth carried off by empires. Now the flow runs the other way: the wealth of the nations pours in, not seized by Israel's armies but offered freely, and offered ultimately as praise to Israel's God. Even the commodities are telling. Gold is royal treasure; frankincense normally belongs to worship. Here they arrive together, worship and wealth on the same camel's back.

The second movement comes at the chapter's climax, in verses 19 and 20. The poet imagines a city that no longer needs the sun by day or the moon by night, because "the LORD will be your everlasting light." The glow that drew the nations turns out not to be Jerusalem's own brilliance at all — it is God's presence dwelling in the city. Sun and moon rise and set; this light never goes down, and so "the days of your mourning will be ended."

Read together, the two movements make one promise: God will so fill this city with his presence that abundance replaces plunder and permanent light replaces grief. Christian readers have long heard this vision echoed in Revelation's New Jerusalem, where the same promise of a city lit by God himself returns at the Bible's close.

Brueggemann's excerpt asks why, out of all the tribute flooding into Jerusalem in verse 6, the poet singles out gold and frankincense — and notes that frankincense, usually at home in worship, here signals sheer luxury. Barclay's excerpt carries Isaiah's promise of everlasting light forward to the city of God, where no created light is needed, and presses the devotional question of how differently things appear when seen in God's light.

“It is in the midst of and as a part of this wondrous flow of wealth to Jerusalem that our verse, Isaiah 60:6, appears. The poet offers a vision of caravans of camels that are heavy-laden with wealth and tribute, all of which will be offered to Israel. Of all of this wealth, the poet identifies two particular commodities. Of course he will mention gold, always the measure of royal plunder, to which he adds frankincense. The latter is a valuable incense used for sacrificial offerings in order to raise up to God a pleasant aroma (see Jeremiah 17:26; 41:5; Isaiah 43:23; 66:3). While frankincense belongs most often to the sphere of worship, in our text it bespeaks a great luxury.”

Walter Brueggemann; Brent A. Strawn, Unwavering Faithfulness: Pivotal Moments in the Book of Isaiah Westminster John Knox Press. All rights reserved. More from Strawn in Rebind →

“The city of God needed no created light, because God, the uncreated light, was in the middle of it. ‘The Lord’, said Isaiah, ‘will be your everlasting light’ (Isaiah 60:19–20). ‘In your light,’ said the psalmist, ‘we see light’ (Psalm 36:9). Only when we see things in the light of God do we see things as they are. Some things which seem vastly important are seen to be unimportant when seen in the light of God. Some things which seem permissible enough are seen to be dangerous when seen in the light of God. Some things which seem unbearable are seen to be a path to glory when seen in the light of God.”

William Barclay · Professor of Divinity and Biblical Criticism, University of Glasgow, The Revelation of John, Volume II: The New Daily Study Bible Westminster John Knox Press. All rights reserved. More from Barclay in Rebind →

Isaiah 60 was written to people who felt small, poor, and forgotten — and it told them their future was brighter than their present had any right to suggest. The chapter invites the same trust today: that loss is not the last word, and that what was taken can be restored in ways we cannot engineer ourselves.

Its image of everlasting light also offers a practical test. Things look different depending on the light we see them by. Held up to God's light, some urgent things shrink, some harmless-looking things reveal their danger, and some heavy things turn out to be the road to something glorious. Asking "how does this look in God's light?" is a habit this chapter can teach.

Isaiah 60 belongs to the closing section of the book (chapters 56–66), addressed to a community back in Jerusalem after the Babylonian exile — home, but discouraged by ruins and hardship. Chapter 59 ends in confession of sin and a promise that God himself will come as Redeemer; chapter 60 answers with the vision of Zion's dawn. Chapters 61 and 62 continue the theme, announcing good news to the afflicted and vowing that Jerusalem will not be forgotten. Chapter 60 is the pivot: the moment the promised light actually rises over the city.