Exodus 15:2

What does Exodus 15:2 mean?

Yah is my strength and song. He has become my salvation. This is my God, and I will praise him; my father’s God, and I will exalt him.
Exodus 15:2 World English Bible (WEB)

The short answer

Exodus 15:2 sits near the opening of the Song of the Sea, the hymn Israel sings on the far shore after escaping Pharaoh's army. The verse is short, but nearly every word in it is possessive: "my strength," "my salvation," "my God," "my father's God." That grammar is the point. The singer is not stating a doctrine about God in general. Something has just happened — a rescue at the water — and the song claims it personally. God is not merely strong; God has been strength for me. Salvation is not an idea; "he has become my salvation," an event with a before and after.

But the verse refuses to stop at the personal. In the same breath the singer says "my father's God." The God met at the sea turns out to be the God already known in the family — the God of the previous generation, and behind that, of the ancestors. If Moses is the singer, the phrase reaches back to his own Levite father from the birth story, and further still to Abraham, Isaac, and Jacob. Deliverance is experienced firsthand, yet it arrives as an inheritance. The singer discovers that the God who just acted is the God who was always being handed down.

Notice, too, what the verse does with this discovery: it sings. "I will praise him... I will exalt him." The natural response to salvation, in this oldest of Israel's hymns, is not analysis but worship. Strength becomes song. The verse models a movement the rest of Scripture repeats constantly — God acts, and the people answer with praise that remembers the act aloud, so that the next generation can one day say "my father's God" too.

Thomas Dozeman takes up the question of who "my father" is in Exodus 15:2 — if Moses is the singer, the phrase points to his unnamed Levite father and, more loosely, to the patriarchs Abraham, Isaac, and Jacob. C. Clifton Black, meanwhile, places the verse where it lives liturgically: within the ancient hymn of praise sung after Israel's rescue at the Red Sea.

“If the hymn is interpreted in the context of the Non-P History, making the voice of the psalmist Moses, then the praise of Yahweh as "the God of my father" ( 'ĕlōhê 'ābî ; Exod 15:2 ) would yield the same meaning. The father of Moses is the Levite from his birth story ( 2:1 ), who remains unnamed in the Non-P History, but is later identified as Amram in the P genealogy ( 6:20 ). The identification of God with Moses' father and with the patriarchal ancestors Abraham, Isaac, and Jacob fits only loosely together. Van Seters concluded that the merging of the God of Moses' father with the patriarchs Abraham, Isaac, and Jacob is an innovation by the author of 3:1–4:18 , whom he identified as the exilic Yahwist historian.”

Thomas B. Dozeman · Professor of Hebrew Bible, United Theological Seminary, The Book of Exodus (NICOT) Wm. B. Eerdmans Publishing Co. All rights reserved. More from Dozeman in Rebind →

“Within this framework Israel's prayers are best understood. Many of Israel's prayers were motivated by similar concerns in Greece and the Roman Empire. We witness such in the ancient hymn of praise ascribed to Moses, immediately followed by Miriam's closely related hymn, sung after Israel's rescue at the Red Sea: I will sing to the L ORD , for he has triumphed gloriously; horse and rider he has thrown into the sea. The L ORD is my strength and my might, and he has become my salvation; this is my God, and I will praise him, my father's God, and I will exalt him.”

C. Clifton Black · Otto A. Piper Professor Emeritus of Biblical Theology, Princeton Theological Seminary, The Lord’s Prayer Westminster John Knox Press. All rights reserved. More from Black in Rebind →

This verse invites you to hold two things together that we often separate: inherited faith and personal faith. Perhaps you grew up with belief handed to you — a parent's God, a grandparent's prayers. Exodus 15:2 suggests that inheritance is not secondhand religion; it is the setting in which your own encounter happens. The singer says both "my God" and "my father's God" without contradiction.

It also suggests what to do when you experience rescue, relief, or unexpected grace: say it out loud. Praise, in this verse, is how salvation gets remembered — and how it gets passed on.

Exodus 15 opens with the Song of the Sea, widely regarded as some of the oldest poetry in the Bible. Israel has just crossed the sea on dry ground while Pharaoh's pursuing army was overthrown in the waters (Exodus 14). Moses and the people respond with this victory hymn, which celebrates God as a warrior who has triumphed, then looks ahead to God guiding the people toward the land. Miriam follows with her own closely related refrain (15:20–21). Verse 2 comes right at the start, turning the event into personal, first-person praise.